Gallery 1936
Skip to main content
  • Menu
  • Home
  • Artists
  • Artworks
  • About
  • Contact
Cart
0 items £
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu

Artworks

John Banting (1902-1971), The Hat of Leaves, 1929

John Banting (1902-1971)

The Hat of Leaves, 1929
oil on panel
13 3⁄4 x 21 3/5 in. (35 x 55 cm)
signed and dated 'J Banting 1929’, lower right
Enquire
%3Cdiv%20class%3D%22artist%22%3EJohn%20Banting%20%281902-1971%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EThe%20Hat%20of%20Leaves%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1929%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3Eoil%20on%20panel%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E13%203%E2%81%844%20x%2021%203/5%20in.%20%2835%20x%2055%20cm%29%3C/div%3E%3Cdiv%20class%3D%22signed_and_dated%22%3Esigned%20and%20dated%20%27J%20Banting%201929%E2%80%99%2C%20lower%20right%3C/div%3E
View on a Wall
John Banting (1902-1972) was a Surrealist painter with an idiosyncratic style and a subversive sense of humour. He originally trained as a bank clerk while attending Bernard Meninsky's evening classes...
Read more

John Banting (1902-1972) was a Surrealist painter with an idiosyncratic style and a subversive sense of humour. He originally trained as a bank clerk while attending Bernard Meninsky's evening classes at Westminster School of Art. Banting then moved to Paris to study in 1922, where he exhibited with the Surindépendants, and met some important members of the avant-garde during this time, including Man Ray, Constantin Brancusi, and Peggy Guggenheim. He joined the London Group in 1927 and was invited to exhibit with the 7 & 5 Society in 1929.

 

The Hat of Leaves dates from this period, and was exhibited in Banting's first solo exhibition at the Wertheim Gallery in 1931. The painting shows the head of a woman enshrouded by a number of large and heavily-veined leaves; something that would become a recurring motif of the artist's early Surrealist period. It bears comparison to The Begonia Woman, a nude portrait by Banting of Nina Hamnett, with three enormous begonia leaves growing out of her body in place of her head and arms, or Daybreak, also on display, where the feet of a nude man sprout and pattern the sky with arabesques. The Critic for the Observer (April 19, 1931) commented that 'Mr Banting has evidently seen Dr Blosfeldt's photographs of a young aconite shoot which looks like a human figure, with leaves for hands, and he has ingeniously toyed with this idea'.

 

This was one of two paintings that was purchased from the Wertheim show by Banting's friend, the novelist Rosamond Lehmann. Lehmann subsequently commissioned the artist to paint a mural at her Oxfordshire home, Ipsden House which included six panels for the entrance hall, depicting human-like silhouettes, as well as a ceiling decoration. Banting also designed a curtain in a Surrealist style made in honey-coloured hessian with an enormous appliquéd male figure outlined with giant fabric tape-measures. Lehmann and her brother, John (who joined Leonard and Virginia Woolf as managing director of the Hogarth Press) were important patrons to Banting during these early years, and he was, in Rosamond's words 'a true bohemian lovable eccentric'.

Close full details

Provenance

Collection of Rosamond Lehmann, thence by descent

Exhibitions

Paintings by John Banting, Wertheim Gallery, London, April 10 - 29, 1931

Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
1 
of  27

Join our mailing list

Subscribe

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.

Manage cookies
Copyright © 2026 Gallery 1936
Site by Artlogic
Join the mailing list

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Reject non essential
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences